A Clockwork Orange has many different aspects to it that sets it apart from other novels of its time. Through Anthony Burgess's use of language, irony, and imagination he was able to create a new strange world that mirrored problems in our world.
First, the language used in the novel is probably one of the most significant differences in Burgess's novel. Burgess entertains his readers by having the main character speak a futuristic slang. It is nasdat slang, a slang language only teens would use. In the beginning of the book these slang words can be a problem for the reader, for when reading the story a person becomes very uncertain of what the author is actually saying. Many of the sentences, for instance, "there was no law against prodding some of the new veshches which they used to put into the old moloko, so you could peet it with vellocet or synthemesc or drencrom or one or two other veshches which would give you a nice quiet horrorshow..." could have many different meanings and are so jampacked with nasdat slang words that it is hard to decipher each words meaning. However, as the story progresses a reader can understand the nasdat slang better because of its usage and context.
Burgess's use of language makes for a more enjoyable read because of his construction of new words. The words are spelled and pronounced in a funny way. Also, it is sort of like a game, having to figure out the meaning of each word. Finally, towards the end of the novel a reader may find themselves using the slang words unconsciously in their day-to-day life or when contemplating the book, as was my experience. When added to the style in which the other speaks in the novel, the slang words spice up the book even more.
Another aspect of A Clockwork Orange that affects the reader is the story. It starts with a fifteen-year-old boy who is part of a small gang. He and his group of friends go around wrecking having, sort of like a profession. They first go to a bar, then they always buy drinks for some old laddies so that the laddies and create alibis for them. Then after they go to different houses and people on the street, stealing money, vandalizing property, beating up people, and rapping women. One of the most surprising things in this novel is how the main character, Alex, a regular boy who goes to school during the day looks upon what he does with not a shred of guilt. Even at the end of the book where he returns to his habits, he does not retire form his midnight shenanigans because they are making him feel guilty but rather because he is bored of them and wants a family. Because of this a conflict can take place within a reader, between wanting to follow the story and support and sympathize with the protagonist, or understanding the crimes the protagonist has committed and wondering if he got what he deserved.
Tikki--I like what you say about the process of getting accustomed to the language. I think the sentence you quoted is about getting high, but I'm not completely certain. And I think the whole question of whether or not a character like Alex "gets what he deserves" is one of the more complicated issues in reading this particular book. Thanks for a good first entry.
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